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Showing posts with label karan johar. Show all posts
Showing posts with label karan johar. Show all posts
Gauri Khan designs beautiful baby nursery for Karan Johar's twins
Gauri Khan has designed a beautiful baby nursery for Karan Johar's twins Yash and Roohi at their home in Bandra, Mumbai.
KJo took to social media to share pictures and thank Shah Rukh Khan's wife.
While sharing the snapshots, Karan Johar wrote, "The detailing of the baby nursery....designed with love and care by @gaurikhan"
He further added, "@gaurikhan designs my baby nursery with so much love and care!! Love you gauri! It's the most beautiful space...."
KJo took to social media to share pictures and thank Shah Rukh Khan's wife.
A post shared by Karan Johar (@karanjohar) on
While sharing the snapshots, Karan Johar wrote, "The detailing of the baby nursery....designed with love and care by @gaurikhan"
A post shared by Karan Johar (@karanjohar) on
He further added, "@gaurikhan designs my baby nursery with so much love and care!! Love you gauri! It's the most beautiful space...."
Karan Johar speaks up on children Yash and Roohi�s premature birth; says he was �terrified�
Filmmaker Karan Johar recently turned a proud father to twins Yash and Roohi. The twins were born two months premature and were kept under close observation in the hospital. On Monday morning, Karan took to his social media handle to post an emotional message, to create awareness around the care that has to be given to premature babies. Having experienced it firsthand, the 'Ae Dil Hai Mushkil' director was keen on sharing his thoughts with the world.
In a moving post, Karan expressed that he was "terrified" on learning of the complications with his babies' birth, and all he wanted to do was "hold them and protect them". KJo further added that he is sharing his story so that parents who have premature babies can derive strength from it. Karan poured his heart out in the post saying, "My mother and I remain eternally grateful from the bottom of our hearts for all the love and care that were given to Roohi and Yash Johar."
Read the full post below:
My mother and I remain eternally grateful from the bottom of our hearts for all the love and care that were given to Roohi and Yash Johar... pic.twitter.com/G18HsgTkXl� Karan Johar (@karanjohar) 27 March 2017
Karan Johar confirms birth of his twins via surrogacy: Yash and Roohi are pieces of my heart. Read his full statement
He is a director, producer, talk show host and occasional actor too. The co-author of his memoir, An Unsuitable Boy, Karan Johar is now set for a new role as a father too. On Sunday morning, Karan Johar confirmed he has become the father to twins whom he has named Yash and Roohi Johar. The boy and girl were born via surrogacy. Karan said that he will raise the twins with his mother Hiroo and he is fully prepared for this journey. While Yash is Karan's late father�s name, Roohi is an anagram of his mother�s name Hiroo.
Here is Karan Johar's complete statement.
�I am ecstatic to share with you all the two most wonderful additions to my life, my children and lifelines; Roohi and Yash. I feel enormously blessed to be a parent to these pieces of my heart who were welcomed into this world with the help of the marvels of medical science.
This was an emotional yet well thought out decision which I have taken after considering all the responsibilities and duties that come with being a parent. In order to arrive at this decision, I have prepared myself mentally, physically, emotionally and logistically to ensure that my children get all the unconditional love, care and attention from me and mine. I have submitted to the fact that my children are my world and priority. My work, travels and social commitments would have to take a back seat and I am prepared for that. By the grace of God, I have the most caring and supportive mother who will be an integral part in the up-bringing of her grandchildren and of course, friends who are family.
I am eternally grateful to the surrogate who has fulfilled my lifelong dream and provided a warm, loving and nurturing environment to my children before bringing them into this world. She will always remain in my prayers.
Finally, a big thank you to Dr. Jatin Shah for his guidance and support and for being like a family member through this wonderful and exciting journey.
Reports also suggest that the children's names were registered on Friday at the Brihanmumbai Municipal Corporation (BMC). Earlier a report by TOI read that a high-ranking BMC official stated the children have been registered in their birth record as a "baby girl" and "baby boy". But now we know that the children are called Yash and Roohi.
The twins were born last month. Also, the twins were delivered by Dr Makrand Masrani. Incidentally, Karan's close friend and actor Shah Rukh Khan's younger son, AbRam, too, was born in the same hospital to a surrogate mother.
"The twins were born at Masrani Hospital, Lalubhai Compound, Andheri (W), on February 7. However, Johar hasn't yet informed the BMC about the names of his children," read the report. Karan is the second single father after Tusshar Kapoor who too became a father via surrogacy in June last year of a son whom he named Laksshya.
Karan has often spoken of his desire to have children. In his memoirs too, he had written, �I don�t know what I�m going to do about it but I feel like I would like to be a parent. I don�t know how it�s going to happen but I do feel the need because I have plenty of love to offer and I�d like to take it forward. This feeling needs a release and requires a platform. And that platform could be by being a parent."
The Centre recently framed guidelines for Surrogacy. The draft bill, Surrogacy (Regulation) Bill was introduced in the Lok Sabha in November 2016 and it bans commercial surrogacy. No payment can be given to or accepted by the surrogate. It also restricts singles, of foreign or Indian origin from surrogacy.
� Karan Johar (@karanjohar) March 5, 2017
Kapoor & Sons (Since 1921)
Rating : 7/10
Release Date : 18th March, 2016
Time : 140 minutes
Director, Writer : Shakun Batra; Co-Writer : Ayesha Devitre Dhillon; Music : Various
Starring : Rishi Kapoor, Rajat Kapoor, Ratna Pathak Shah, Fawad Khan, Sidharth Malhotra, Alia Bhatt, Sukant Goel, Fahim Shaikh
A sensational first half � witty, crazy, natural, superb dialogues, a fast-moving script, great characters, fabulous acting � followed by a second half, which goes in a different direction to what I would�ve preferred. Am not a fan of solving things via tears, melodrama, sorrow � perhaps there is another way, but our directors / writers have yet to get there. Anyways, should be grateful it doesn�t go awry � just in a different direction�
Rajat Kapoor and Ratna Pathak Shah live in idyllic Coonoor but argue like all married couples do, over things that most married couples do. Their sons, Fawad and Sidharth, live in UK and US respectively, are used to seeing their parents argue and also have their own unsettled issues. Fawad�s a successful author, his parent�s pet while Sid is still looking to find his vocation and has a huge chip on his shoulder about not being loved as much as his elder brother. However, what is fascinating is that, while all this may sound sad, morbid, the first half is anything but. Thanks to their grandfather, Rishi Kapoor (I want to grow old like him !) and Alia, who is the wild, zany one in a nearby tea estate.
Rishi Kapoor is endearing and full of life � so much so that he practices falling dead, just for kicks. Other pastimes include watching porn, smoking, weed, shooting his grandkids dead and making sure the hospital staff don�t forget him (the scenes with the nurse were excellent). Alia is always pulling someone�s leg � first Sid, then Fawad fall for her pranks and she ensures she always remains happy, sunny despite all around her
The stage is then set for the family drama to heat up in the second half, as secrets tumble out, things come to a head�
It�s been a long time since I saw such beautifully etched characters and crisp, natural dialogues in a Hindi film. The performances were fabulous � Rajat, Rishi were brilliant and Fawad, Alia, Sidharth also display their acting chops � both the men, especially, successfully put to bed all the unfair, unwarranted criticism that they�re just good looking boys who can�t act. Ratna is very good too, doing justice to the role given � her character is not someone who I would be fond of but can understand. Special mention of Sukant Goel who also shines through in a small role, as Sid�s best friend.
The film does hold a mirror up to how most of us live our lives, mired in our first world problems. Unhappiness, we discover, can be caused by so many factors � parental expectations, striving for approval, success, distrust, money issues, the search for love � all can prove to be so corrosive. But equally, isn�t it upto us to simplify things, to chart out our own course � to stop blaming others for our problems. Because, in the end, don�t we all just want to be happy ?
Shaandaar
Rating : 3/10
Release Date : 22nd October, 2015
Time : 144 minutes
Director, Writer : Vikas Bahl; Co-Writers : Chaitally Parmar, Anvita Dutt; Music : Amit Trivedi;
Starring : Shahid Kapur; Alia Bhatt; Pankaj Kapur; Sushma Seth, Sanah, Sanjay Kapoor, Vikas Verma
This is a desperate attempt at cuteness
Frogs, an animation back story, dreams drawn on strips of paper, horses, damsels that need rescuing (or someone to make them sleep), glitzy sets, flying ladybugs, more abbreviations than in the Oxford dictionary, a cuddly kind of love, an unending supply of songs, Karan Johar, fireflies, Sindhi jokes rehashed, gold, a touching father-daughter relationship, imaginary cups of tea (with two cubes of sugar), fake moustaches and the gravelly voice of Naseeruddin Shah � everything is thrown at us in the vain hope that something sticks, something connects � anything to distract our attention from the fact that there is no story � and the only thing with real substance in the film is Sanah
Add to this potpourri, a dominating matriarch (Sushma Seth) � who has decided that Sanah, her grand-daughter (born to her son, Pankaj) will get married to a golden, glitzy, garish Sindhi family (headed by Sanjay Kapoor) - a kind of a business deal to save them from impending bankruptcy. The fact that Sanjay�s brother, the groom, Vikas, is a gym / protein shake obsessed, narcisstic idiot with eight (and a half) pack abs, and precious little else doesn�t make them think again. Nor does the fact that he so obviously doesn�t relish getting married to the slightly overweight but pretty, smart Sanah, make the entire clan even pause for thought.
Alia, meanwhile, is a poor, little, wee anath, brought home by Pankaj, against the wishes of his mom or his wife. Obviously, there is a predictable secret somewhere but no one really questions the otherwise jelly-in-front-of-his-mother Pankaj or dissuades him from doing so. Alia is an insomniac, reads a lot of books, is a trivia queen but like all good girls, is waiting for her prince to come and put her to sleep.
Enter Shahid. The wedding organizer in the rented mansion / hotel. Who also doubles up as lead dancer. He doesn�t hit it off with Pankaj. Does with Alia. And you can, pretty easily, fill in the rest of the blanks�
Alia and Sanah (Pankaj�s daughter in real life too) stole the show with their performances. Shahid and Pankaj tried just that teeny-weensy bit too hard. The rest hung around in the background for their two bit parts
This was an attempt at a fairy story. A kind of a reverse Sleeping Beauty � where an insomniac prince is needed to make the insomniac princess fall asleep � and learn to dream. Will work for you if you�re under 12. Or like songs. And big fat Indian weddings (pun intended). Or sets with twinkling lights, heart shapes and cuddly-wuddly stuff. But will stretch interminably and senselessly for all others. Vikas Bahl, after Queen, this Shaandaar failure ? Et tu ?!
Baahubali
Rating : 7/10
Release Date : 10th July, 2015
Time : 159 minutes
Director: SS Rajamouli; Writer: V Vijayendra Prasad; Music : M M Keeravani
Starring : Prabhas, Rana Daggubati, Tamannaah, Anushka Shetty, Ramya Krishnan, Sathyaraj, Nassar
Karan Arjun (with a dash of Johar) meets Telegu film sensibilities meets Game of Thrones in a romantic, period drama, action thriller. Good fun, if you�re a fan of the genre and don�t mind being entertained emotionally (and loudly) vs logically�
Simplistic storyline goes somewhat like this. Young baby, carried by noble lady (Ramya Krishnan), is chased by bloodthirsty soldiers at the bottom of a giant, humungous waterfall. The baby, the only survivor, is adopted by a tribal chieftain but always yearns to go on top of the waterfall. After repeated failures, succeeds one day, when he�s grown to be a young, strong man (Prabhas), inspired by a feminine wooden mask, which falls from above. He finds another world at the top � revolutionaries (including his female, Tamannaah), struggling to overthrow a tyrant king (Rana Daggubati), who is protected by a loyal chieftain (Sathyaraj), sworn to protect the throne, despite his disapproval of the way he treats and has imprisoned an old lady, Anushka Shetty, who is awaiting the arrival of her supposedly dead son to avenge her�
Now, at every step of the way, add in hyper-emotion and hyperbole, and you get some sense of what awaits you�
Great special effects (think almost, about 60-70% The Mummy level) and our instantly likeable hero, Prabhas (switches seamlessly from romance to action at the flick of a switch), keep us entertained even when the story drags a bit. The dubbing feels a bit odd at first but you get used to it pretty soon. Tamannaah (could this spelling, be, anymore complicated?), luckily has dresses shorter than her name, and does justice to her fighter revolutionary role too. Sathyaraj & Ramya are very impressive, as is Rana in role in which he matches the hero step by step for the most part.
Period dramas, if done right, not only inspire awe and grandeur but also help transport you to other realms. A measure that they did succeed comes from the fact that you almost feel cheated when you realize that this is the first part of a two part series...and the story is left tantalizingly poised at an intriguing juncture�
Bombay Velvet
Rating : 3/10
Release Date : 15th May, 2015
Time : 151 minutes
Director, Writer : Anurag Kashyap; Co-Writers : Vasan Bala, Gyan Prakash Thani; Music : Amit Trivedi
Starring : Ranbir Kapoor, Anushka Sharma, Karan Johar, Siddharth Basu, Manish Chaudhary, Satyadeep Misra, Kay Kay Menon, Vivaan Shah, Denzil Smith
Recipe for Bombay Velvet, a nouveau-riche cocktail�
? Take assorted good-looking characters � Ranbir, Anushka, Kay Kay, Manish Chaudhary - and do your best to make them unrecognizable
? Add oodles of inspiration from every famous American gangster movie & a few film noir classics � Scarface, Once Upon A Time in America, Chinatown � leave nothing out, as another such opportunity may not present itself
? Throw in tons of style � taken from above films � so what if its completely incongruous to the setting, surrounding
? Insert jazz � simply, just (perhaps its your favourite?)�So what if its Bombay in 1969
? Now, in probably the only ode to context, ignore everything above � and make the film a love story � (coz that�s what Indians really love, �innit ?)
? Actually � I correct myself � in another ode to context � give everyone back stories � force the audience to feel for the characters (coz Indian�s otherwise won't get it, would we?)
? Finally, to give it a rather unique flavor, add your olive equivalent � Karan Johar � only, again, make him unrecognizable, hide what really makes him tick�give him a serious face, make him look really odd, stilt his spontaneity
What comes out, not surprisingly, is green gooey gunk (reference : Rene Russo�s preferred early morning pick-me-up drink in Thomas Crown Affair � aha! � we have our own cinematic inspirations too !)�only this one has a few pieces of glitter floating around to try to make it look good�
Bombay Velvet is a right royal mess�tries to do too much, without getting the basics right � its like watching a pupil with three piano lessons attempting Bach�there is no character who you remotely understand, far less feel for � and with that kind of a fatal flaw, you can try as much style as you like, ultimately, the film's going to fall flat !
Ranbir is a kid, growing up in a brothel, who wants more. Gets into the company of Satyadeep, a street toughie. Then gets semi-adopted by Karan (why?), made the manager of the swankiest nightclub, Bombay Velvet (incomprehensibly so), but he still wants more. Finds the love of his life, Anushka (a singer, jazz of course, is there any other kind?), loses her, then gets her � and then plays she loves me, she loves me not with a 1969 petalled flower in the eminently forgettable second half � while we watch in what excruciatingly seems like slow motion� Oh � and in the middle of all this � he kills a lot of people, goes regularly to a �Fight Club� kind of bare-knuckle fighting arena where he more often than not gets thulped�(other people listen to music to unwind, Ranbir enjoys getting pulped)
Meanwhile, in the real action, Karan, a businessman, is trying to crack the big leagues, get in on the action where Bombay is being divvied up and sold to various builders. A powerful mayor, Siddharth Basu, and some supposedly incorruptible ministers and upright union folks are easily flipped or removed � but the only real thorn is Manish � who writes a English tabloid � and is communist by leaning and deplores all that is capitalist � but like most true communnists, lives in a really swanky pad and doesn�t mind a bit of action on the side�the other piece in the puzzle is Kay Kay Menon, a CBI inspector, who pretty much struts around and watches all the action from the sidelines. The last time we see him, he is, quite appropriately, throwing his hat on the road in disgust� Oh, and I did mention, right � everyone wears hats� In Bombay, in 1949 � 1969�its part of the American Gangsta styling�which btw, are also the kind of movies shown in ordinary theatres in the city...
At many points during the film, and then with vehemence at the end, you wonder what the hell is going on�how can you take one of the most like-able faces / personalities in our film industry (Ranbir) and turn him into this deeply flawed, near psychotic character, that no one can understand ? If you wanted to make a up-market gangster film � laudable, understandable desire to progress from Wasseypur to Bombay � why not make a crisp, action, film-noir styled thriller � why attempt thirty things in it ?
There are great sets but sadly no person you can relate to (Satyadeep is probably the only actor who can walk away with his head held high � in part because you understood him!)�the only moment which rang true was one where Karan, trying to keep a straight face at Ranbir�s broken English, has to go out to have a hearty laugh�everything else smacked of being forced, contrived. Vivaan Shah, in a bit part as a driver, for example, wears threads that are out of Once Upon a Time in Mumbaai and behaves like anything but a driver (drinks whiskey in expensive nightclubs, for example)� and there are about fifty jarring moments like this�
Sadly, this could�ve been brilliant�will lay half the blame straight away on the script�and the other half at the feet of the celebrated director, who unfortunately made this a bloated vanity project � one which seems was made keeping more than half an eye on the foreign awards, juries where he is such a darling...
PS : Why on earth was this shot for so many (over 60 days, for sure) in Sri Lanka ? Anyone ?
Badlapur
Rating : 6/10
Release Date : 20th February, 2015
Time : 134 minutes
Director, Writer : Sriram Raghavan; Co-Writer: Arijit Biswas, Pooja Surti; Music : Sachin-Jigar
Starring : Varun Dhawan, Nawazuddin Siddiqui, Huma Quereshi, Vinay Pathak, Divya Dutta, Radhika Apte
A chance encounter during a bank robbery leads to unwanted, unnecessary death and a vicious cycle of revenge that lasts over fifteen years. Its not pretty, its not pacy and it most definitely doesn�t follow a path treaded by most Hindi films. However, not everything makes sense and it doesn�t really hold our attention all the way through, though the climax is interesting.
Nawazuddin and Vinay�s getaway after a bank job goes horribly wrong and results in the death of Yami Gautam and her young child. Nawaz is caught, jailed but not before he is able to let his partner escape with the loot. Varun Dhawan is the sadly bereaved husband, father, who�s world comes crashing around him. And the twenty year sentence given to Nawaz for his part in the robbery (he claims his partner did the killing, he was merely the driver), is not enough for Varun�
Kumud Mishra is the police inspector who hates an unsolved case on his record � especially as the cops are never able to track down the partner or the loot. Pratima Kannan is Nawaz�s mother, who can�t believe her son is a killer. Huma is Nawaz�s favourite call-girl, who also doesn�t believe he is a killer. And later in the movie, Vinay Pathak and his wife, Radhika Apte play a critical part, as does Divya Dutta as an NGO worker who works with prisoners.
I really liked Varun in this vengeful avatar � he hit the right buttons in a role outside his comfort zone. Nawazuddin does full justice to a role right up his street, especially in the closing stages. The ensemble cast is excellent. The music really good. But the fatal flaw is you don�t quite understand why some of the characters chose the paths they do � even if the end objective does make sense. And that can really make you wonder, even disconnect with what is shown happening on the screen�
Life can be cruel. Revenge can be salvation. And where better to find it than in Badlapur�
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